Big songs by big stars that you won't believe weren't bigger hits
Hey, not every song can be a Top 10 smash – we honour pop's unsung heroes.
Getting to Number 1 is no guarantee a song will be remember for ever, and some of pop's most-loved tracks never even made the Top 10.
You'd think big stars would be assured of a smash every time they release a single, but a 100% hit rate isn't as easy to maintain as you might think. We look back at some huge songs that you'd think would've been, well, y'know… a bit huger.
Mariah Carey – Obsessed
This sassy, confident and sickest of burns was said to be a diss track about none other than Eminem, who had, according to rumours on the celebrity circuit, briefly dated Mimi and had been saying some, erm, less than complimentary things about our favourite elusive chanteuse. Mariah wasn't taking any of this lying down and fired off Obsessed. It may have zinged with the power of 100 lemons, but it had much less bite on the chart – despite going Top 10 in the US, it reached Number 52 here. A travesty.
Madonna – Take A Bow
Madge does like to take a breather every now and again and bang out a ballad, and Take A Bow, off her 1994 album Bedtime Stories, has become a fan favourite. It was her longest reigning Number 1 in the States, but in the UK, everyone was perhaps a bit puzzled that the usually saucy Madonna had gone a bit more squeaky clean. You know how us Brits like thing a bit racy. Sadly, the song took its bow at Number 16 and got no higher.
Beyoncé
Quite a few of Queen B's signature songs haven't quite done as well as you might expect from a global superstar. Given that Bey is prone to slinging out an album without a word of warning, focus on Beyoncé material tends to lean away from the singles. Perhaps one of the most surprising misses of Beyoncé's back catalogue was the banging Why Don't You Love Me, which was an all-new song, is a staple of her tours and, let's face it, the video's incred. Its peak? 51? How could you?
MORE: See all Beyoncé's UK hit singles and albums
Janet Jackson
JJ was riding high after her first Top 10 in 1986 with What Have You Done For Me Lately, yet its follow-up, the empowering, brilliantly aggressive Nasty only grazed the Top 20, stalling at number 19. Another big track of Janet's to do less well than you'd expect was the title track to her 1989 album Rhythm Nation – it only got to 24. "People of the world today, are you looking for a better way of life?" sang Janet. "Not really, no," was the record buying public's reply. (It did very well in the US, though.)
MORE: Janet Jackson's big ones are in her Official Chart archive
Sia – Alive
Coming as the first big release off Sia's This Is Acting album, Alive had plenty of buzz behind it thanks to its backstory of being a reject off Adele's abandoned third album. While it was a radio fave, ad even got an X Factor performance from the lady herself, its peak was Number 30.
MORE: Check out all Sia's big hits in the UK
Michael Bublé – Cry Me A River
The Canadian crooner is known more for him album successes than slaying on the Official Singles Chart but his dramatic reworking of Cry me A River – not the Justin Timberlake song FYI – has become one of his signature tracks. He even performed it on The X Factor, but despite its high profile, Michael's cover reached just Number 39.
Take That – I Found Heaven
Robbie made his debut on lead vocals in 1992 and what happens? Take That miss the Top 20. We bet Gary had something to say about that. I Found Heaven stalled at 15, but Robbie soon redeemed himself. Hos next stint on lead vocals, on the band's cover of Could It Be Magic, gave the band their first Top 3.
MORE: Take That's full archive of UK hit singles and albums
Christina Aguilera – Candyman
He had cherries popping all over the place and doing unspeakable things to Christina's undergarments, yet the Candyman didn't manage to charm his way into the Top 10, landing instead at Number 17. It's remained a favourite thanks to its vintage feel, and featured in The X Factor when it was performed by Alexandra Burke, who'd go on to win the 2008 series, and then in an audition in 2012, when teen Curtis Golden gave a very stripped back version.
Britney Spears – Till The World Ends
The follow-up to Britney's big dance banger/dubstep reinvention Hold It Against Me, which had gone Top 10, hopes were high for Till The World Ends. Because record companies were still experimenting with putting songs on sale as soon as they were played to the public and sent to radio, some punters didn't realise it was available and so it stalled at 22. Not the end of the world, thankfully – there were plenty of hits to come.
Lady Gaga – LoveGame
Beats that are sick, disco sticks – what's not to love about this little number from Gaga's first album The Fame? Sadly, everyone was still a bit preoccupied with the three Top 5s that came before it, so LoveGame was stretchered off at Number 15. And it took its ball home with it – the next single was an all-new track that did end up being a bit more famous, to be fair. (It was Bad Romance.)
MORE: Lady Gaga's huge hits in her Official Chart archive
Justin Timberlake – Senorita
It certainly did "feel like something's heating up" with this track from JT's solo debut Justified. However, the UK actually turned down the heat a notch, and while his previous singles all went to Number 2, Senorita landed at Number 13. Unlucky for some. But mainly Justin.
Kanye – All Of The Lights
One of Kanye's more popular battlecries, boasting some big VIP guests in Drake and Rihanna and yet, somehow, the velvet rope to the Top 10 did not fall to one side for All of The Lights. it had to settle for Number 15, staying there for two weeks.
MORE: Shine a light on Kanye's hit singles and albums
Taylor Swift – Style
She had that red lip classic thing we liked, but somehow, inexplicably, unbelievably, this solid gold banger from 1989 did not come up with the Top 20 goods for Tay-Tay. Why? Well, quite a few people had already got their hands on the song thanks to 1989's success, plus Blank Space was still hogging the radio. Also, the video… well. The most interesting thing about it was that the hunky model cast as Taylor's love interest had heterochromia.
Katy Perry – Unconditionally
Coming off the back of the Number 1 and million-seller Roar, ballad Unconditionally was supposed to be Katy Perry's Someone Like You moment. As lovely a song as it was, once the public – and it really is all about them, let's be real –got wind of trippy trap track Dark Horse, that's the one they wanted. Unconditionally got left out in the cold, hitting 25.
MORE: See all Katy Perry's hits
Rihanna – Bitch Better Have My Money
A non-album single! A mega-expensive video dripping in controversy! Rihanna looking 💯 on the artwork! A fanbase crying out for new RiRi material! All present and correct, but maybe BBHMM was a little too salty for the Brits, or perhaps its surprise release caught everyone unawares, but it stalled at Number 27. This is why we can't have nice things.
Carly Rae Jepsen – Run Away With Me
It may have inspired a million memes, but Jeppo's second single from E.MO.TION struggled to find a place in the Top 40. A song everybody knows, yes, but it only peaked at Number 50. Is there no justice in the world? No. There is none.
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etin
Gloria estefun's "music of the heart" was #1 in us, but only #34 in uk ..obsessed didnt release in uk officially..
DodoRabbit
This is making me a little more optimistic for Emeli Sande... I was worried this would be the end of her career as her new song isn't doing to well but looking at there artists who all have good career I think she's safe...
Andii
This could have been an interesting article, but it suffers from poor research and a tone which sounds more like a sycophantic Twitter fan than a professional writer ("Queen B", "Tay-Tay"???). There also seems to be some odd obsession with the X Factor. Only three songs are not from this millennium. Only one song is by a group. There are no bands. The vast majority are solo female artists, some of which don't really fit the "big stars" moniker (Carly Rae Jepsen, Sia). The titles aren't even consistent, some containing the song titles and others not.
Most of these are not big songs, period:
1. Mariah Carey - "Obsessed"; not one of her most well-known songs in the later years of her career, so not that surprising. She's never performed anything like as well in the UK as she has in the US. A Top 10 in the US is poor for someone who has 18 US #1s. Given her 2 UK #1s, #52 is not too surprising for a fairly obscure song.
2. Madonna - "Take a Bow"; this is one of the few good examples, her longest running US #1. I think it's also worth mentioning that it was released in mid-December here and so probably just got lost because of Xmas and a UK becoming more BritPop-oriented.
3. Beyoncé - "Why Do You Love Me"; not clear why this is a "big song" either. It's just the author seems infatuated with her. Beyoncé's singles chart career is generally very hit and miss, especially recently.
4. Janet Jackson - "Rhythm Nation"; like Mariah, she's never been as big on this side of the Atlantic. She has never managed a #1. So less about this song, than her career in general, which you even point to in the article.
5. Sia - "Alive". First time I've ever heard of this song. No explanation as to why this is a big song we should all know. More like a case of its chart position didn't live up to the marketing hype.
6. Michael Bublé – "Cry Me a River". A Timberlake cover isn't the first thing I'd associated with him. Again, not sure how this is a "big song".
7. Take That – "I Found Heaven". Hardly a memorable song in Take That's discography. Not clear why this should have been a bigger hit. "It Only Takes a Minute" was more the exception than the norm at this stage in their career, with "Promises" only making #38 and "Once You've Tasted Love" #47. #15 for "I Found Heaven" is pretty good by comparison with those.
8. Christina Aguilera - "Candyman"; third single from the album that had been out about six months at this point, so not so surprising. Did it do better in the US?
9. Britney Spears – "Till the World Ends"; agree on this one, though the lead single wasn't as successful as in the US either. Probably down to lack of promotion.
10. Lady Gaga – "LoveGame"; 4th single. The real question here is why her record company decided to serve up the dull "Paparazzi" instead as the 3rd single.
11. Justin Timberlake – "Senorita"; the album was nearly a year old by this stage, and not as big as the songs that preceded it.
12. Kanye – "All of the Lights"; looking at his chart history, #15 is a good showing. Not heard of this song, so not sure why it should have done better. Seems to have only done that well because of this co-stars.
13. Taylor Swift - "Style"; was heavily overplayed on radio. Another case of not living up to the hype rather than being a "big song". Maybe this is proof that playing a song to death doesn't guarantee a hit?
14. Katy Perry – "Unconditionally"; again, not clear why this is a "big song". Hadn't even realised it was a single.
15. Rihanna - " Better Have My Money"; peaked at #15 on sales, the same chart used for the others. Not too bad, given she had another song higher up the chart at the same time.
16. Carly Rae Jepsen - "Run Away With Me"; "a song everybody knows"? Barely heard of it.
A more accurate title for this article would be "Songs I like by my favourite artists that should have been bigger!". Maybe try and be more objective next time.
There's a good article here, but you mix up a few genuine cases with artists that generally don't do as well in the UK as the US (Kanye, Mariah, Janet) and songs that you just happen to like a lot. If you're going to say they are "big songs", you need examples of why they were successful elsewhere, not just that they were hyped up before release. If they are "big songs", surely they'd be well-known? Some of these I've barely heard of.
dannysioux
Why are only pop singers like Rihanna, Katy Perry, Britney included on this list? Sadly any real artists are featured on on the news section on this site now are when they die (such as Bowie, Prince).
Yesterday marked the 40th anniversary of Siouxsie &the Banshees who were regulars on the UK chart i their heyday. A nostalgic article looking back at their career/biggest sellers list etc would've been a great idea for an article. Instead, they've published this .
SF
Simon Flynn
Like your comment, was the anniversary the 20th at the 100 club.
I Am A Stegosaurus
Style wasn't that big because Blank Space was still hogging the radio? Style was overplayed to death as well.
MB
Michael Brown
There were charts in the 50s, 60s, 70s and 80s too. Your articles such as this seem to ignore all this rich musical history for some reason.
Mr. Threepwood
The OCC is now working for the teens. The language they use clearly indicates that. It's annoying in so many ways.