Tones and I's Dance Monkey is now the longest-running Number 1 single by a female since Leona Lewis’s Bleeding Love

Plus there are new entries from J Hus, Fredo, Dave and more on this week's Official Singles Chart.

tones-and-i-dance-monkey-number-1-award-1100.jpg

Dance Monkey continues to boogie at the top of the Official Singles Chart, earning Tones and I a mammoth seventh week at Number 1.

By extending her lead at the top, Australian singer-songwriter Tones and I – real name Toni Watson – now has the longest-running UK chart-topper by a female lead since Leona Lewis’s Bleeding Love, which spent seven weeks at Number 1 in 2007.

Dance Monkey scored 83,000 chart sales to keep its spot at the summit, including 9.6 million streams. Watch Tones receive her Official Number 1 Award and talk about the global success of the song below: 

MORE: The UK's Top 40 biggest songs of 2019 so far

"It’s overwhelming to think this song is really resonating in another country," Tones and I told Official Charts. It’s a really good feeling, I’m really proud of myself. Dance Monkey is a special song for me and my friends – I wrote it for them. It’s always going to be a song that reminds me of busking, playing in streets and making people happy."

Meanwhile, J Hus claims this week’s highest new entry with Must Be at Number 5 – the British rapper’s strongest debut and highest charting track to date.

Production trio Meduza are on the cusp of landing their second Top 10 with Lose Control ft. Becky Hill & Goodboys, up three to 11; rapper Fredo lands his seventh Top 40 single with Netflix & Chill at 13; and Dave earns a 15th Top 40 with Paper Cuts at 15.

Following his boxing match win against Logan Paul, British YouTuber KSI enters the Top 40 at Number 18 with Down Like That ft. Rick Rossm Lil Baby and S-X; US singer-songwriter Arizona Zervas vaults 18 places to Number 24 with his global breakthrough hit Roxanne; and Young T & Bugsey’s Don’t Rush ft. Headie One is new at 28.

Further down, rising London-born singer and rapper Darkoo scores her UK Top 40 debut with One Acen collaboration Gangsta at 34; Endor’s rework of Danzell’s 2004 dance hit Pump It Up climbs seven spots to 36; and Tom Walker’s Better Half Of Me zooms 14 places to 40.

View this week's Top 100 Official Singles Chart in full

Related artists

Join the conversation by joining the Official Charts community and dropping comment.

Already registered?

Log in

No account?

Register

avatar

Sandra Stoned Williams

0

Congratulations such a down to earth. Talented lady

L

luca

-1

Oh England...what have they done to you 😟

D

Daniel

0

Congrats Toni, it is almost like the continued hate you are receiving from certain quarters is fueling your reign at number 1. You go girl. Thanks to Piran Delves also for constantly stating the facts and not letting personal views get in the way of the songs achievements

avatar

Paul Mount

-2

No, really, you cannot make that comparison. The goalposts are totally different these days with streaming, downloading, YouTube views and probably even just thinking about a song counting towards whatever makes up the parody the charts have become these days. This is no proper achievement, it really isn't.

avatar

Rob Parkinson

2

Yeah these days it's really difficult to achieve a no.1 for longer than 6 weeks with acr so 7 weeks and still going strong is an absolute record breaking achievement that not many singles will ever be able to do! Thanks for pointing that out :)

avatar

David Eve

0

so the ACR clock is reset again.....

avatar

Piran

1

Yeah, I thought it went up in performance from last week, so I guess your comment confirms that. Not sure why 'Dance Monkey' actually recovered this week though.

I'm going to be annoyed if this means 'Don't Start Now' ends up getting blocked!

avatar

David Eve

1

Actually i may be wrong. While total streams went from 9.33 m to 9.6 m, sales equivalent streams fell from 73,031 to 72,527...so it may still be on its 2nd week decline towards ACR...

avatar

Piran

0

Interesting.

This is what I found from the OCC's current chart rules document;

"New releases will have a streaming to sales ratio of 150:1 (or as otherwise amended by the CSC) applied for the combining of chart eligible transactions. This ratio will be known as Standard Chart Ratio (SCR).
After 3 consecutive weeks of decline a stream to sale ratio of 300:1 (or as otherwise amended by the CSC) can be applied. This is also known as Accelerated Chart Ratio (ACR).
Decline is defined as negative week on week variance of combined sales and streams AND negative variance lower than the market rate of change week on week."

Based on this extract, it seems to imply that if a song falls on sales equivalent streaming, the ACR clock still runs. Unless, of course, a song gets a massive surge in downloads.

avatar

David Eve

1

Combined sales and streams also fell to 82,944 vs. 84,488 last week, while the market increased so yes, 2nd week of the ACR ticking clock this week...
If it had been on ACR this week, then Dua Lipa would have been no.1 by about 3,000 sales....

D

Daniel

0

I think one of the reasons streaming continues to stay high is the song has legs, like Australia, it took 9 weeks to get to number 1 and it seems to be refreshing it's streamers. One drops off another joins and the cycle continues

avatar

Brandon Mwinga

1

I am worried too Dua lipa "Don't start now " might be blocked. looks like it's going to keep up on the top spot for a month unless JUSTIN bieber release /Adele .Just like Giant Calvin Harris was kept off for a long time this year

avatar

Piran

1

It really comes down to whether or not anything can pass it before 'Dance Monkey' goes on ACR in two weeks. At the moment, 'Everything I Wanted' by Billie Eilish already appears to be looking like an early contender! :O

avatar

Piran

0

I guess, since 'Dance Monkey' is the kind of song that either grows on people so quickly that they get tired of it about a month later, or takes a very long time to creep up on them, haha.

avatar

Piran

0

So we've got another two weeks before 'Dance Monkey' takes a drop from #1, but looking at the margins, it might be too late for Dua Lipa by then, especially since Billie Eilish has already passed her significantly on Spotify.

avatar

Brandon Mwinga

1

true it's my first time liking Billie song after Lovely the rest never liked billie at all but the new one i like it

avatar

Piran

1

Cool! I guess 'Everything I Wanted' is a bit softer for a Billie Eilish song than usual.

I could see this one doing a lot better on pop radio than her other singles have! :)

avatar

Brandon Mwinga

1

It's clean and friendly radio the others sounded scary for me

avatar

Piran

0

Yeah, I'm actually surprised that 'Bad Guy' became as big as it did, especially given how dark the song was. I still enjoyed it as a whole, but it's definitely an anomaly for hit music in 2019! :P

avatar

Brandon Mwinga

1

Unfortunately here in south africa when the remix with JB it ruined the charts she peaked #3 spent few weeks in the top 10 became the biggest dropper from #3 to 12 and only track to be in the chart.

avatar

Piran

1

It's very rare that a remix actually decreases a song's performance. It looks like SA really didn't take to the JB version at all then! :O

avatar

Brandon Mwinga

1

I know I thought so .my observations thought that she would endure in the chart unfortunately not. It's big suprises on my chart

avatar

Brandon Mwinga

1

yah didn't. will chat tomorrow on Billboard chart update

avatar

Piran

1

See you then! :)

I just posted a comment your new chart over on Crown Note.

avatar

Piran

5

Longest #1 by a female lead artist in 12 years... whether you love or hate the song, that's one of an achievement regardless! :O

Looks like grime music had a really good week for debuts.

avatar

Paul Mount

-2

Grime music. Nonsense, is this what our music industry has sunk to?

avatar

Piran

1

It's been this way since like 2012 though.

Some grime artists like Stormzy & Dave often put out consistently good tunes, but the problem is the songs that are entering the charts now by the lesser known artists mostly sound the same!

D

Daniel

0

At 5.30 pm today, AEST, we will know if the song has become the longest number 1 ever in Australia, it currently stands at 16 weeks. The song is also celebrating it's 4th week at number 1 on the World Charts

avatar

Piran

2

That would be an incredible achievement!

We have to remember that Tones & I is only 19 years old, who was busking on the streets just six months now... now she's possibly about to have the longest #1 single ever in her home country. :O

D

Daniel

0

Yes, Byron bay, just down the road from where I am, although I must point out, here in Oz 50k is just down the road :)

avatar

Piran

0

Oh, you're from Australia yourself? That's awesome!

So I guess 'Dance Monkey' getting so much radio play there hasn't made you tired of it just yet? ;)

D

Daniel

1

Not really, funny thing is I do actually prefer Johnny runaway, she wrote the song about her Best Friend and the struggles he endured coming out in his community and no it isn't depressing lol, I do believe that song is the next release in the UK

avatar

David Eve

1

And Yes Tones & I is still no.1 in Australia setting a new record of 16 weeks (also consecutive)

D

Daniel

0

Yes, awesome. She is also number 3 on the largest salesby an Aussie Artist ever and seems assured on reaching number 1. She is also number 10 of all time sales, but will never get to number one there as that chart is done by pcm and a certain swedish group with a question about our ability to hear the drums will forever hold that with a 23.6% pcm

avatar

Piran

0

Interesting. I'd have thought 'Never Seen The Rain' would be the more likely follow-up hit in the UK, since that officially came after 'Dance Monkey' back in Australia, while 'Johnny Run Away' had already been out for a little while.

'Dance Monkey' really stands out for me as something unique & insanely addictive, so that has to be my favourite of the three, but the other two songs we've already mentioned are still awesome! :D