TURN THE MUSIC LOUDER (RUMBLE)
KDA FT TINIE TEMPAH & KATY B
- LW: New
- Peak: 1,
- Weeks: 1
- LW: New
- Peak: 2,
- Weeks: 1
- LW: 3,
- Peak: 3,
- Weeks: 10
- LW: 1,
- Peak: 1,
- Weeks: 8
RUNNIN' (LOSE IT ALL)
NAUGHTY BOY/
- LW: 4,
- Peak: 4,
- Weeks: 5
WASN'T EXPECTING THAT
JAMIE LAWSON
- LW: 6,
- Peak: 6,
- Weeks: 4
BE RIGHT THERE
SLEEPY TOM & DIPLO
- LW: 91,
- Peak: 8,
- Weeks: 2
LOCKED AWAY
R CITY FT ADAM LEVINE
- LW: 2,
- Peak: 2,
- Weeks: 8
- LW: 8,
- Peak: 5,
- Weeks: 5
WRITING'S ON THE WALL
SAM SMITH
- LW: 7,
- Peak: 1,
- Weeks: 4
DO IT AGAIN
PIA MIA FT CHRIS BROWN & TYGA
- LW: 9,
- Peak: 8,
- Weeks: 11
LAY IT ALL ON ME
RUDIMENTAL FT ED SHEERAN
- LW: 15,
- Peak: 13,
- Weeks: 4
HOW DEEP IS YOUR LOVE
CALVIN HARRIS & DISCIPLES
- LW: 11,
- Peak: 2,
- Weeks: 14
NEVER FORGET YOU
MNEK & ZARA LARSSON
- LW: 19,
- Peak: 15,
- Weeks: 6
DOWNTOWN
MACKLEMORE/
- LW: 14,
- Peak: 11,
- Weeks: 8
- LW: 13,
- Peak: 3,
- Weeks: 20
ALONE NO MORE
PHILIP GEORGE & ANTON POWERS
- LW: 12,
- Peak: 4,
- Weeks: 3
SECOND HAND HEART
BEN HAENOW FT KELLY CLARKSON
- LW: New
- Peak: 21,
- Weeks: 1
- LW: 24,
- Peak: 22,
- Weeks: 15
DON'T BE SO HARD ON YOURSELF
JESS GLYNNE
- LW: 17,
- Peak: 1,
- Weeks: 11
MARVIN GAYE
CHARLIE PUTH FT MEGHAN TRAINOR
- LW: 18,
- Peak: 1,
- Weeks: 12
- LW: 21,
- Peak: 8,
- Weeks: 14
- LW: 22,
- Peak: 4,
- Weeks: 21
- LW: 23,
- Peak: 1,
- Weeks: 11
LEAN ON
MAJOR LAZER FT MO & DJ SNAKE
- LW: 27,
- Peak: 2,
- Weeks: 34
- LW: 26,
- Peak: 8,
- Weeks: 29
INTOXICATED
MARTIN SOLVEIG & GTA
- LW: 25,
- Peak: 5,
- Weeks: 10
FIRESTONE
KYGO FT CONRAD SEWELL
- LW: 36,
- Peak: 8,
- Weeks: 42
- LW: 32,
- Peak: 21,
- Weeks: 4
AIN'T NOBODY (LOVES ME BETTER)
FELIX JAEHN FT J THOMPSON
- LW: 28,
- Peak: 2,
- Weeks: 15
ARE YOU WITH ME
LOST FREQUENCIES
- LW: 29,
- Peak: 1,
- Weeks: 21
- LW: 33,
- Peak: 15,
- Weeks: 49
- LW: 31,
- Peak: 1,
- Weeks: 15
- LW: 30,
- Peak: 1,
- Weeks: 12
CHEERLEADER (FELIX JAEHN REMIX)
OMI
- LW: 35,
- Peak: 1,
- Weeks: 42
COOL FOR THE SUMMER
DEMI LOVATO
- LW: 41,
- Peak: 7,
- Weeks: 8
- LW: 45,
- Peak: 40,
- Weeks: 8
- LW: 37,
- Peak: 1,
- Weeks: 22
WHERE ARE U NOW
SKRILLEX & DIPLO/
- LW: 43,
- Peak: 3,
- Weeks: 33
- LW: 42,
- Peak: 2,
- Weeks: 16
GOOD FOR YOU
SELENA GOMEZ FT ASAP ROCKY
- LW: 38,
- Peak: 23,
- Weeks: 18
TALK TO ME
NICK BREWER FT BIBI BOURELLY
- LW: 39,
- Peak: 19,
- Weeks: 4
HERE FOR YOU
KYGO FT ELLA HENDERSON
- LW: 60,
- Peak: 18,
- Weeks: 7
- LW: 44,
- Peak: 13,
- Weeks: 13
UPTOWN FUNK
MARK RONSON FT BRUNO MARS
- LW: 48,
- Peak: 1,
- Weeks: 46
- LW: 46,
- Peak: 46,
- Weeks: 4
WATCH ME (WHIP/NAE NAE)
SILENTO
- LW: 52,
- Peak: 19,
- Weeks: 14
SHOW ME LOVE
SAM FELDT FT KIMBERLY ANNE
- LW: 50,
- Peak: 4,
- Weeks: 15
FREAK OF THE WEEK
KREPT & KONAN FT JEREMIH
- LW: 57,
- Peak: 9,
- Weeks: 17
- LW: 54,
- Peak: 6,
- Weeks: 21
- LW: 59,
- Peak: 1,
- Weeks: 70
SEE YOU AGAIN
WIZ KHALIFA FT CHARLIE PUTH
- LW: 61,
- Peak: 1,
- Weeks: 29
AROUND THE WORLD
NATALIE LA ROSE FT FETTY WAP
- LW: 40,
- Peak: 14,
- Weeks: 3
GLITTERBALL
SIGMA FT ELLA HENDERSON
- LW: 47,
- Peak: 4,
- Weeks: 13
- LW: 62,
- Peak: 2,
- Weeks: 48
NOT LETTING GO
TINIE TEMPAH FT JESS GLYNNE
- LW: 55,
- Peak: 1,
- Weeks: 18
STOLE THE SHOW
KYGO FT PARSON JAMES
- LW: 64,
- Peak: 24,
- Weeks: 31
I DON'T LIKE IT I LOVE IT
FLO RIDA FT THICKE & WHITE
- LW: 67,
- Peak: 7,
- Weeks: 18
BODY ON ME
RITA ORA FT CHRIS BROWN
- LW: 58,
- Peak: 22,
- Weeks: 11
- LW: 66,
- Peak: 2,
- Weeks: 62
- LW: 65,
- Peak: 42,
- Weeks: 10
- LW: 72,
- Peak: 69,
- Weeks: 4
- LW: 68,
- Peak: 1,
- Weeks: 34
- LW: 70,
- Peak: 1,
- Weeks: 31
- LW: 69,
- Peak: 4,
- Weeks: 24
HOUSE EVERY WEEKEND
DAVID ZOWIE
- LW: 63,
- Peak: 1,
- Weeks: 19
- LW: 76,
- Peak: 76,
- Weeks: 4
- LW: New
- Peak: 78,
- Weeks: 1
LOVE ME LIKE YOU DO
ELLIE GOULDING
- LW: 71,
- Peak: 1,
- Weeks: 38
- LW: 86,
- Peak: 80,
- Weeks: 2
- LW: RE
- Peak: 70,
- Weeks: 2
- LW: 74,
- Peak: 2,
- Weeks: 42
- LW: 75,
- Peak: 68,
- Weeks: 5
- LW: RE
- Peak: 65,
- Weeks: 2
WORTH IT
FIFTH HARMONY FT KID INK
- LW: 77,
- Peak: 3,
- Weeks: 18
- LW: 78,
- Peak: 36,
- Weeks: 5
- LW: 87,
- Peak: 6,
- Weeks: 69
- LW: 89,
- Peak: 81,
- Weeks: 5
- LW: RE
- Peak: 45,
- Weeks: 5
- LW: 85,
- Peak: 80,
- Weeks: 11
- LW: 88,
- Peak: 2,
- Weeks: 89
SOMETHING IN THE WAY YOU MOVE
ELLIE GOULDING
- LW: 51,
- Peak: 51,
- Weeks: 2
- LW: 98,
- Peak: 18,
- Weeks: 6
FESTER SKANK
LETHAL BIZZLE FT DIZTORTION
- LW: RE
- Peak: 11,
- Weeks: 19
- LW: 90,
- Peak: 3,
- Weeks: 74
FIVE MORE HOURS
DEORRO & CHRIS BROWN
- LW: 93,
- Peak: 4,
- Weeks: 24
Join the conversation by joining the Official Charts community and dropping comment.
Already registered?
Log in
No account?
Register
Lord Rafox
Oh my god, i LOVE that new ELO song, when i was a boy, it's defentley worth listening to!
A
Ashton
Sup
SF
Simon Flynn
Take that's new single is awful and is lucky to be at 56.
SF
Simon Flynn
It's true, they have an urban music chart. Isn't that the top 40! The Rolling Stones have a new single out as well as Tom Jones. These artists still sell albums but not singles. Even up to the early 1990's their was such diversity in music groups in the charts. The muxic industry has changed as much as life has I guess.
A
addickted2hcharlton
Even the Chrissmass songs are better than wass in the charts nahadays, arf the time I don't know the ar'ists on ere.
etin
really tired to see recurrent songs in chart. 90's were great. we even could see 20 new entries
A
addickted2hcharlton
Yeah but the 70s n 80s were even better n all.
Painmix King
Thinking it over the other period in time when the charts were awful was the late 90's - early noughties when in complete contrast to the modern charts some tunes would enter straight into the Top 10 but only stay in the Top 75 for 4 or 5 weeks, as records were played on the radio for about 3 weeks before you could actually buy them, so everyone went out as soon as it was released and more often than not the records entry position was it's peak position
etin
take that only #56 .. why ?
H
Huss
i am a big fan...love them loads, but this single has no "take that" magic :-( i feel very sad to say that.
etin
take that only #56 .. why ?
I Am A Stegosaurus
Where's John Newman's 'Tiring Game?' And songs like Cheerleader and Ain't Nobody were set to fall out the top 40 but stayed in yet songs like Levels and Here For You were set to enter!
Painmix King
Only 6 brand new entries in the whole Top 100. The charts are a complete farce these days. Can't the compilers see that. In the good old days a song did well to stay in the charts 20 weeks. Now it's done poor if that's all the length of it's chart run is. Also, where's all the rock bands! I know they do well in the album charts but surely there must be enough people downloading some songs to make the 100. UK used to be the envy of many with it's sales only chart, but now we're no better than anyone else. Rant over :-(
RT
Richard Thomas
Could not agree with you more. Everything hangs around for ages. It's so boring. There's no churn. Plus when the number one song is no longer the best selling song of the week, it totally undermines the point of it all. Streaming is given way too much credit. Absolute farce as you say.
Wayne Nevin
A justified rant. The current charts can not even be compared to those of the past. Most artists don't release physical CD singles now and people streaming have no need to even pay for a download so when you read of artists breaking records you have to ask yourself would they be doing so if the fans had to pay for the music? I doubt very much the songs being streamed millions of times would have sold millions on CD as they don't even translate into download sales.
Airplay is seemingly saturated with the same artists and sound-alikes on a loop. It's not only rock bands that are neglected. In my opinion there are some outstanding singer songwriters who have been overlooked who I feel given the opportunity, (via airplay), would appeal to the masses. Although they all have their own fans, Brandi Carlile, Duke Special, Horse McDonald, Jewel Kilcher, Amanda Ghost, Terra Naomi, Tina Arena, Daughtry, Simon Scardanelli, Richard Marx, Tim Mcgraw, Trisha Yearwood,Jennifer Rush and Clare Maguire are just a few who come to mind. Anyone else out there despairing at the state of the charts and lack of support for their favourite artists?
Obvious Bike
If it bothers you that much why not complain to the Official Chart Company? I kind of agree though.
David AC
Streams only count when they are paid for streams. Free streaming doesn't count towards the chart.
I Am A Stegosaurus
Good point about rock bands, you can tell the Charts company don't like rock bands. Look at all the big rock songs in the past three years that all had a chance of hitting 1.
LE
Lee Evans
Couldn't agree more with Wayne & Painmix - a shambolic state of affairs. The charts today are just a shadow of their former self and not representative in any way of the true popularity of a given song at a given time. I cannot believe the quality of songs getting to number one, many of them failing to sell more than 5,000 copies in a week. In the 70's/80's when the charts were truly representative, singles would have to sell millions just to get into the Top 10. And over the past year we have seen first-rate releases from the likes of Pink Floyd, David Gilmour, U2, The Eagles, Don Henley, Rod Stewart, Simply Red, Bon Jovi, Marc Almond and many other artists of their ilk and these singles don't even dent the Top 200 - it's a joke
A
addickted2hcharlton
Thass juss wot I think on ere.
A
addickted2hcharlton
Thass shockin juss shockin.
simon_g42
No number one in history has come anywhere near selling as few as 5,000 copies. In one of his weeks at number one, Justin Bieber's actual sales were below 20,000, but they were not even close to 5,000. As for the 1970s and '80s, I suggest you look at the list of million-selling singles. That will show you how wrong your assertion about that decade is.
simon_g42
Sorry? The OCC records sales and streams. They don't have any sort of filter to exclude songs they don't like. The simple fact is that rock bands don't sell many singles. By your logic, I should be blaming the Returning Officers for the fact that we have a Tory government.