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RELAX
FRANKIE GOES TO HOLLYWOOD
- LW: 2,
- Peak: 1,
- Weeks: 12
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- LW: 1,
- Peak: 1,
- Weeks: 7
THAT'S LIVIN' ALRIGHT (FROM 'AUF WIEDERSEHEN PET')
JOE FAGIN
- LW: 4,
- Peak: 3,
- Weeks: 4
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- LW: 3,
- Peak: 2,
- Weeks: 10
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A ROCKIN' GOOD WAY
SHAKY AND BONNIE
- LW: 5,
- Peak: 5,
- Weeks: 4
- LW: 11,
- Peak: 6,
- Weeks: 2
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- LW: 6,
- Peak: 6,
- Weeks: 7
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- LW: 13,
- Peak: 8,
- Weeks: 2
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- LW: 16,
- Peak: 9,
- Weeks: 3
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GIRLS JUST WANT TO HAVE FUN
CYNDI LAUPER
- LW: 23,
- Peak: 10,
- Weeks: 3
HERE COMES THE RAIN AGAIN
EURYTHMICS
- LW: 20,
- Peak: 11,
- Weeks: 2
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(FEELS LIKE) HEAVEN
FICTION FACTORY
- LW: 28,
- Peak: 12,
- Weeks: 3
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- LW: 24,
- Peak: 13,
- Weeks: 7
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- LW: 31,
- Peak: 14,
- Weeks: 3
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- LW: 7,
- Peak: 3,
- Weeks: 8
RUNNING WITH THE NIGHT
LIONEL RICHIE
- LW: 9,
- Peak: 9,
- Weeks: 9
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THE KILLING MOON
ECHO & THE BUNNYMEN
- LW: New
- Peak: 17,
- Weeks: 1
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- LW: 8,
- Peak: 4,
- Weeks: 8
LOVE IS A WONDERFUL COLOUR
ICICLE WORKS
- LW: 15,
- Peak: 15,
- Weeks: 8
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SPEED YOUR LOVE TO ME
SIMPLE MINDS
- LW: New
- Peak: 20,
- Weeks: 1
- LW: 17,
- Peak: 17,
- Weeks: 3
WHERE WERE YOU HIDING WHEN THE STORM BROKE
THE ALARM
- LW: 34,
- Peak: 22,
- Weeks: 2
STRAIGHT AHEAD
KOOL AND THE GANG
- LW: 19,
- Peak: 15,
- Weeks: 8
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ISLANDS IN THE STREAM
KENNY ROGERS AND DOLLY PARTON
- LW: 10,
- Peak: 7,
- Weeks: 12
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- LW: 12,
- Peak: 4,
- Weeks: 11
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WHAT DIFFERENCE DOES IT MAKE
THE SMITHS
- LW: New
- Peak: 26,
- Weeks: 1
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- LW: 18,
- Peak: 10,
- Weeks: 11
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LOVE OF THE COMMON PEOPLE
PAUL YOUNG
- LW: 14,
- Peak: 2,
- Weeks: 11
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- LW: 29,
- Peak: 29,
- Weeks: 3
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- LW: 39,
- Peak: 31,
- Weeks: 3
RAT RAPPING (BRILLIANT ISN'T IT)
ROLAND RAT SUPERSTAR
- LW: 21,
- Peak: 14,
- Weeks: 11
SPICE OF LIFE
THE MANHATTAN TRANSFER
- LW: 68,
- Peak: 33,
- Weeks: 2
- LW: 35,
- Peak: 34,
- Weeks: 3
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- LW: 45,
- Peak: 35,
- Weeks: 2
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- LW: 37,
- Peak: 36,
- Weeks: 10
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LET'S STAY TOGETHER
TINA TURNER
- LW: 27,
- Peak: 6,
- Weeks: 11
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- LW: 22,
- Peak: 3,
- Weeks: 8
A NIGHT IN NEW YORK
ELBOW BONES AND THE RACKETEERS
- LW: 47,
- Peak: 40,
- Weeks: 7
LOVE THEME FROM 'THE THORN BIRDS'
JUAN MARTIN
- LW: 89,
- Peak: 41,
- Weeks: 2
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- LW: 43,
- Peak: 42,
- Weeks: 2
THE COLOUR FIELD
THE COLOUR FIELD
- LW: 53,
- Peak: 43,
- Weeks: 2
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- LW: 26,
- Peak: 23,
- Weeks: 8
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- LW: 33,
- Peak: 1,
- Weeks: 17
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- LW: 49,
- Peak: 46,
- Weeks: 3
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- LW: 25,
- Peak: 1,
- Weeks: 10
- LW: 63,
- Peak: 48,
- Weeks: 3
- LW: 51,
- Peak: 49,
- Weeks: 3
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- LW: 83,
- Peak: 50,
- Weeks: 6
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THIS MUST BE THE PLACE
TALKING HEADS
- LW: 60,
- Peak: 51,
- Weeks: 2
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- LW: 32,
- Peak: 16,
- Weeks: 8
WOULDN'T IT BE GOOD
NIK KERSHAW
- LW: New
- Peak: 53,
- Weeks: 1
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- LW: 66,
- Peak: 54,
- Weeks: 2
LOVE IS A BATTLEFIELD
PAT BENATAR
- LW: 59,
- Peak: 56,
- Weeks: 3
STOP LOOK AND LISTEN
DONNA SUMMER
- LW: 62,
- Peak: 57,
- Weeks: 2
- LW: 38,
- Peak: 30,
- Weeks: 9
PRISONER OF LOVE
SPEAR OF DESTINY
- LW: 60,
- Peak: 59,
- Weeks: 2
MOVE OVER DARLING
TRACEY ULLMAN
- LW: 36,
- Peak: 8,
- Weeks: 9
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- LW: 41,
- Peak: 41,
- Weeks: 4
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- LW: 79,
- Peak: 62,
- Weeks: 2
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THE POLITICS OF DANCING
RE-FLEX
- LW: New
- Peak: 63,
- Weeks: 1
- LW: 64,
- Peak: 64,
- Weeks: 6
- LW: 72,
- Peak: 65,
- Weeks: 2
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- LW: 69,
- Peak: 61,
- Weeks: 3
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- LW: 55,
- Peak: 13,
- Weeks: 10
- LW: 65,
- Peak: 3,
- Weeks: 20
- LW: 70,
- Peak: 25,
- Weeks: 12
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- LW: New
- Peak: 70,
- Weeks: 1
- LW: 82,
- Peak: 71,
- Weeks: 2
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- LW: 80,
- Peak: 73,
- Weeks: 3
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- LW: 54,
- Peak: 1,
- Weeks: 20
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- LW: 57,
- Peak: 9,
- Weeks: 42
- LW: New
- Peak: 76,
- Weeks: 1
WHITE LINES (DON'T DO IT)
GRANDMASTER FLASH AND MELLE MEL
- LW: 93,
- Peak: 60,
- Weeks: 7
- LW: 75,
- Peak: 75,
- Weeks: 3
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- LW: New
- Peak: 79,
- Weeks: 1
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- LW: 77,
- Peak: 75,
- Weeks: 8
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- LW: 92,
- Peak: 81,
- Weeks: 2
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SONG TO THE SIREN
THIS MORTAL COIL
- LW: 98,
- Peak: 66,
- Weeks: 8
- LW: New
- Peak: 83,
- Weeks: 1
QUE TE QUEIRO
KATRINA AND THE WAVES
- LW: 84,
- Peak: 84,
- Weeks: 3
- LW: New
- Peak: 85,
- Weeks: 1
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COLLAPSING NEW PEOPLE
FAD GADGET
- LW: 85,
- Peak: 85,
- Weeks: 3
- LW: New
- Peak: 87,
- Weeks: 1
- LW: New
- Peak: 88,
- Weeks: 1
- LW: 76,
- Peak: 71,
- Weeks: 7
- LW: New
- Peak: 90,
- Weeks: 1
- LW: New
- Peak: 91,
- Weeks: 1
- LW: 74,
- Peak: 57,
- Weeks: 10
- LW: New
- Peak: 93,
- Weeks: 1
SUNBURST AND SNOWBLIND
COCTEAU TWINS
- LW: 90,
- Peak: 86,
- Weeks: 6
ANOTHER LONELY NIGHT IN NEW YORK
ROBIN GIBB
- LW: New
- Peak: 95,
- Weeks: 1
BACKFIELD IN MOTION
JB'S ALL STARS
- LW: New
- Peak: 96,
- Weeks: 1
STRAIGHT FROM THE HEART
FAT LARRY'S BAND
- LW: 88,
- Peak: 88,
- Weeks: 2
YAH MO BE THERE
JAMES INGRAM AND MICHAEL MCDONALD
- LW: New
- Peak: 98,
- Weeks: 1
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EBONY EYES
RICK JAMES AND SMOKEY ROBINSON
- LW: 96,
- Peak: 96,
- Weeks: 2
- LW: New
- Peak: 100,
- Weeks: 1
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PD
Phil Davis
At 91 is an image of Baby Anne's – Past Present Future album of 2007. Nothing to do with Hashim.
AG
Andrew Green
#87 title on label of single shows title as 'Eyes in the Night (Arrive Alive)'
FG
Frank Griffin
Relax by Frankie Goes to hollywood was number 1 for a long time back in 1984 even though the song was banned. So I do not know how people listened to it back in 1984.
Michael D Winchcombe
There was not a blanket ban. Between Nov '83 (release date) and Jan 84' you could hear it on Radio 1 and other commercial radio stations. It was only when Mike Read (Radio 1 DJ) publicly condemned the lyrics that it was banned from BBC radio. By then the song had already been aired on TOTP. However you could still listen to it on the BBC's John Peel / Kid Jensen late evening radio shows. You could also continue to listen to it on commercial radio and tv stations such as Channel 4's 'The Tube'. By the end of 1984 the BBC had lifted the ban probably due to embarrassment as it, in part, lead to its increase in sales. It was even aired on the 1984 Xmas edition of TOTP and Radio 1's 1984 best selling singles of the year. During this period the only format available was the 7"/12" single as the release of the album 'Welcome To The Pleasuredome' wasn't released until Oct '84 thus assisting its sales and climb up the singles charts.
Banning a record can often lead to greater sales through its controversial nature - looking at the list of originally banned records from the BBC indicates the amount of commercial success a song can have -
https://en.wikipedia.org/wiki/List_of_songs_banned_by_the_BBC
AG
Andrew Green
One of the oddest banned songs was 'Landing of the Daleks' from The Earthlings, because it contained a section of morse code, repeatedly saying S.O.S. The BBC banned it because they feared it might cause confusion amongst the public who might think it was a real SOS call.