NO 6 COLLABORATIONS PROJECT
ED SHEERAN
- LW: 1,
- Peak: 1,
- Weeks: 3
DIVINELY UNINSPIRED TO A HELLISH EXTENT
LEWIS CAPALDI
- LW: 2,
- Peak: 1,
- Weeks: 11
WHEN WE ALL FALL ASLEEP WHERE DO WE GO
BILLIE EILISH
- LW: 3,
- Peak: 1,
- Weeks: 18
THE GREATEST SHOWMAN
MOTION PICTURE CAST RECORDING
- LW: 4,
- Peak: 1,
- Weeks: 83
- LW: 5,
- Peak: 3,
- Weeks: 90
- LW: 7,
- Peak: 1,
- Weeks: 126
- LW: 8,
- Peak: 2,
- Weeks: 41
- LW: New
- Peak: 8,
- Weeks: 1
- LW: 9,
- Peak: 5,
- Weeks: 30
WESTERN STARS
BRUCE SPRINGSTEEN
- LW: 6,
- Peak: 1,
- Weeks: 7
STAYING AT TAMARA'S
GEORGE EZRA
- LW: 11,
- Peak: 2,
- Weeks: 71
A STAR IS BORN
MOTION PICTURE CAST RECORDING
- LW: 10,
- Peak: 1,
- Weeks: 43
50 YEARS - DON'T STOP
FLEETWOOD MAC
- LW: 12,
- Peak: 5,
- Weeks: 34
DON'T SMILE AT ME
BILLIE EILISH
- LW: 15,
- Peak: 4,
- Weeks: 63
- LW: 13,
- Peak: 1,
- Weeks: 25
- LW: New
- Peak: 18,
- Weeks: 1
BEERBONGS & BENTLEYS
POST MALONE
- LW: 20,
- Peak: 1,
- Weeks: 66
- LW: 17,
- Peak: 7,
- Weeks: 550
- LW: 21,
- Peak: 2,
- Weeks: 17
- LW: 22,
- Peak: 4,
- Weeks: 42
- LW: RE
- Peak: 3,
- Weeks: 41
- LW: 30,
- Peak: 21,
- Weeks: 12
- LW: 24,
- Peak: 1,
- Weeks: 267
- LW: 27,
- Peak: 10,
- Weeks: 436
- LW: 31,
- Peak: 13,
- Weeks: 299
GREATEST HITS
BRUCE SPRINGSTEEN
- LW: 34,
- Peak: 19,
- Weeks: 659
ERRATIC CINEMATIC
GERRY CINNAMON
- LW: 37,
- Peak: 22,
- Weeks: 8
- LW: RE
- Peak: 2,
- Weeks: 59
- LW: 29,
- Peak: 1,
- Weeks: 101
- LW: 35,
- Peak: 6,
- Weeks: 21
- LW: 33,
- Peak: 2,
- Weeks: 72
- LW: 39,
- Peak: 6,
- Weeks: 109
- LW: 38,
- Peak: 7,
- Weeks: 141
- LW: RE
- Peak: 4,
- Weeks: 13
MAMMA MIA - HERE WE GO AGAIN
MOTION PICTURE CAST RECORDING
- LW: 45,
- Peak: 1,
- Weeks: 55
- LW: 32,
- Peak: 1,
- Weeks: 24
- LW: 36,
- Peak: 4,
- Weeks: 66
- LW: 50,
- Peak: 1,
- Weeks: 22
- LW: 40,
- Peak: 17,
- Weeks: 167
- LW: 48,
- Peak: 20,
- Weeks: 42
LEGEND
BOB MARLEY & THE WAILERS
- LW: 44,
- Peak: 20,
- Weeks: 521
WHAT A TIME TO BE ALIVE
TOM WALKER
- LW: 43,
- Peak: 14,
- Weeks: 22
- LW: New
- Peak: 49,
- Weeks: 1
- LW: RE
- Peak: 23,
- Weeks: 352
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