Matt Goss on new album The Beautiful Unknown: "I want to compete with Ed Sheeran and The Weeknd"
Matt Goss is feeling ambitious.
With his new solo record The Beautiful Unknown, he wants to let people know that he understands pop music - perhaps better than he did when he and brother Luke formed Bros in the '80s.
The new album (out Friday March 25) is a shamelessly-commercial record aiming for radio and chart success, not a nostalgia trip. In singles like Better With You and Make It Rain, Goss shows that he can play by the modern pop star rule book.
Bros may have asked on their UK Number 1 single 'When Will I Be Famous?', but the fact is Goss has spent a large chunk of his life very famous. But that doesn't seemed to have dulled his passion for music, or his sense about what makes things popular. In a wide-ranging chat, we discuss his new album, the surprising cover included on the album and what it takes to compete with the Ed Sheerans of today.
MORE: Matt Goss's Official Charts history in full
You've said, unashamedly, that you wanted to create something really contemporary and commercial with this album...
I think anyone who knows me, knows that I'm a contemporary man. Everyone in my company trusts me, like I trust them - and that's solely dependent that you know what's going on [commercially in the pop world]. I've cut away all the fat on this album. You could throw a dart at this record, and any song could be a single.
It's really interesting to hear this, because a lot of acts, after a few decades of success, will go down a more nostalgic route with new music.
I talk to people like yourself and then travel the world - to see Tokyo, Germany, France, Italy, Spain...and the conduit [for these shows] absolutely has to be new music. I want to compete with Ed Sheeran, I want to compete with The Weeknd, I want to be compete with Robbie Williams...everyone. I made this record knowing 100% that we can do that.
And it could be very easy for you to go the way, too.
The fact is that everyone on this record has won multiple Grammy's - they've won BRITs. People like that don't get involved in your music unless they really feel strongly about it. I feel excited and I hope the industry sees what I'm doing. I want to be one of the main players. No-one can say this isn't a contemporary record.
So talk us through who you've collaborated with, then...
People like Jacob Bunton, who's written for Mariah Carey, [producer] Dave Aude [legendary, Grammy-winning remix producer for the likes of Jennifer Lopez, Lady Gaga]. Even the mastering is A-List. I defy anyone to listen to this record and not think it sounds very well thought out. There's been a big spend on this record, it sounds beautiful. I wanted to work with people who were infused [into the current pop scene].
You've also covered one of the all-time great pop tracks on the album, Fleetwood Mac's Landslide.
I love Stevie Nicks and I love the original of that song, but I wanted to put a bit of soul into it. Not so much that it wasn't recognisable, but maybe just a little bit more pain, if I dare to say that.
George Michael has been a huge influence on my life, and hopefully I've added a little something that George may have done [to the song]. People seem to be loving it. It was a real undertaking, trust me. I've not even really heard a man sing it, either.
This music obviously means a lot to you. As much as it's very contemporary, it seems very personal too.
There's a depth to this record, and an honesty in regards to what I've been through in my life. I've buried [those stories] in good pop melodies, but they just allow meaningful lyrics to shine through with joy.
And that's the great thing about pop music - you can make contemporary sounds and melodies, but pop is the ultimate genre for communicating things to the masses. It just means that it's popular.
The Beatles were a pop band, and they were the greatest rock band of all time. As you said quite rightly, pop music is popular music. Pop is a good word. I know what it feels like to have a hit record, and I got that feeling writing these songs. If anyone says Better With You is not an absolute radio smash, they're not listening.
Speaking of hit records, it would be remiss to not touch on Bros and all the things you achieved. A song like When Will I Be Famous? wasn't just a massive hit, it really sounds prophetic to the society we live in now. A lot of the sounds you worked with in the '80s are back in a big way now.
I'm one of the people that helped create those sounds. I think When Will I Be Famous? is more relevant now than when we released it. We have entered into a fame based culture; you can be famous for many reasons now. You can be an influencer, but can you get 45,000 people to turn up at the O2? I find it so interesting. Maybe I'm old school, but I like a bit of blood sweat and tears.
The Beautiful Unknown is out tomorrow (March 25) via Lewisham Records.
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AL
Angela Lester
‘Better With You’ is an up to date great hit and album which needs to be given a chance. You see artists from the 80s and 90s go to obscurity, but this man has risen from rock bottom to be a multi talented performer, full of gratitude, manners, civility and humility. He continues to put out records that are fabulous, his album is amazing. He has worked with BabyFace and Jacob Bunton amongst others and they don’t work with any old shizzle. He plays a multitude of instruments, he writes all of his own songs, he loves his fans with a passion. In the lockdown he did a whole series of personal calls to his fans over Instagram and supported many of them with any issues of mental health or disabilities. He took his time out of his day to call these people and comfort them. How many artists do you know that did this? The problem is that the UK has a barrage of male and female DJ’s that are scared to play any of Matts songs. They are scared to support one of their own. They would much rather play rap, dance and whatever noisy ‘music’ that is around right now because they are scared of not being classed as ‘trendy’ or ‘up to date.’ It’s about time the UK got behind Matt Goss and supported him as the fantastic and talented musician that he is.
Damián
His ego is bigger than Robbie William's and all the current artists together
AL
Angela Lester
No it’s not, he is full of gratitude and humility. Your opinion is completely unsubstantiated.
Damián
I guess you're his biz agent, or his fanbase president...
LM
Lee Moore
When Will I Be Famous? wasn't a UK number 1! Come on "official charts"!
AL
Angela Lester
Doesn’t matter, it reached Number 2 and that’s just as good. Hundreds or thousands of songs don’t reach number one that deserve to reach it, but that’s down to the media and how they promote. Doesn’t take away what a great tune it was.
LM
Lee Moore
Factual error.
thierry henon
I don't want to sound rude or anything like that but that guy is "up himself"!! My God!! You might have been famous with BROS (i love that band!) but you never had other chart success!! Anyway, anyone can dream even you Matt Goss!!
AL
Angela Lester
Well you do sound rude. He has had plenty of other chart success. What he has also had is a long standing career as a musician and singer and held one of the longest Las Vegas residencies of any singer.
Rob Parkinson
Not sure why artists continue to try and cover Fleetwood Mac songs, the originals are still charting and getting listened to now. It's so rare any cover version is any good, the very rare exception always charts extremely well but you just can't cover a Fleetwood Mac as they are already perfect in everyday hence they still chart consistently
AL
Angela Lester
Have you listened to Matts version? Give it a try.
AUCF
Angry UK Chart Fan
'Better With You' may be pop but its appeal is limited to fans of obscure "pop music" or the adult contemporary listeners (Radio 2, etc.) than the more casual/wider demographic(s) or whatever they are called. It's like the term "pop" doesn't necessarily mean "popular" but it... is something else.
The song makes me think of those unknown pop songs that hardly anyone knows and not a lot of people enjoy... Also, Matt's idea of pop is not that "modern" or "current", based on 'Better With You'. For me, it's something more dance oriented, introspective, ambient/minimal and the 80s/90s/early 00s influenced stuff ... or maybe I just don't like the song a lot so I'm probably only rambling.
AL
Angela Lester
Have you listened to it? Have you sat and given it a chance? I doubt it.